Re-writng the first chapter to bypass the prologue has taken up my whole day and I'm not pleased with any of the possibilities so far. The prologue is so powerful and so dramatic that the without it, the beginning is about as exciting as a public service announcement about bedbugs. It just lacks the punch. I may just forget it and take a chance with the prologue but I'm not giving up yet. Of course, changing the first chapter means that at least chapter two and possibly more will have to be changed too. Good lord, what have I started?
The first thing to consider is that there is not one but two crisis in the very first chapter. I also have to show the strengths in my protaganist's character in that chapter while at the same time, whistling Yankee Doodle Dandy while juggling seven oranges. Oh, all right,. that's a slight exaggeration but not all that much.
What really surprises me is that I found a way to do it, almost at least. The biggest problem I have is that it makes the chapter seem hurried, almost frenetic. Too much, too soon, too fast.
So, tomorrow, I start again. I intend to have my submittal ready for the critique meeting by Monday at the latest. I hope they are in a kind frame of mind but after all, the one thing you absolutely must have from your critique partners is honesty. Brutal if necessary, but above all, honesty. Let's see what I can get done tomorrow.
Back From Another Hiatus
6 years ago
Go Warren GO!
ReplyDeleteCan't see what you come up with. But question: Why can't you just call your prologue chapter one? It's central to the action, and happens right at the beginning of the story. Just food for thought. I'm glad you're doing all this experimenting. Looking forward to seeing what you turn in.
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